From facilitation to emotional labour
Read a new Glossary of Commoning Terms, consisting of terms from the context of community and participatory projects at the intersection of visual arts, social work and activism

You can download the book as print-at-home PDF (Photo © Jonáš Verešpej; Design & illustrations © Day Shift Office)
What does it mean to be hospitable, make alliances, or navigate conflict in the sphere of contemporary art? Five European nonprofit art spaces—La Escocesa, OFF-Biennale, < rotor >, Shtatëmbëdhjetë (17), and tranzit.cz—present a new publication for cultural workers, curators, and artists. The book is available in Albanian, Czech, English, German, Hungarian, and Spanish free of charge at www.emotional-labor.eu in various formats (print-at-home, EPUB) and as plain text. The volume is entitled We Cannot Say That We Have Arrived Somewhere, Yet Neither Can We Say That We Haven’t: A Glossary of Commoning Terms, and it summarizes the experiences and learnings of the five socially and politically engaged organizations with community-based and participatory projects at the intersection of visual art, social work, and activism. The book comprises seventeen chapters tackling themes such as self-empowerment, facilitation, emotional labor, hospitality, anti-ableism, and intersectionality.
❝The term “minority” often implies subordination or lesser importance, reinforcing stigmas or stereotypes deeply rooted in colonial legacies. In contrast, “Global Majority” acknowledges that people of African, Asian, Latin American, and Indigenous descent make up the majority of the world’s population. This shift in terminology challenges Eurocentric views that position these groups as minorities, despite their numerical and cultural significance. It also exposes how colonial frameworks have historically erased and abused non-Western epistemologies, reinforcing systemic oppression.❞ — excerpted from the text Global Majority

This book was published with the support of the Ministry of Culture of the Czech Republic as part of the project Art Space Unlimited, co-financed by the European Union. The views and opinions expressed are those of the author(s) only and do not necessarily reflect those of the European Union or the EACEA. Neither the European Union nor the EACEA can be held responsible for them.
