Biennale Matter of Art Announces Curators for the 2026 Edition
Press Release

Jakub Gawkowski, Jara Tomanová and František Fekete © Jonáš Verešpej
The biennale will take place in the summer of 2026 in the Czech Republic and will be co-curated by Jaroslava Tomanová, Jakub Gawkowski, and František Fekete. Taking the form of a large, international group exhibition spanning several venues, the biennale will also include several new commissioned projects and a program of live events. The biennale is strongly shaped by the political anchoring of tranzit.cz, whose practice is guided by feminist principles and aims for gender equality, developing ethical and sustainable relationships, and fulfilling the universal right of access to culture. The previous edition attracted more than 15,000 visitors.
Since its inception, the Biennale Matter of Art has brought critical and socially conscious art into the social space, seeking ways in which cultural spaces and events can contribute to emancipation. “Our ambition is to amplify curatorial and artistic perspectives from the region and become a compass for navigating complex social and political issues,” says Tereza Stejskalová, director of tranzit.cz. “The three-member international curatorial group reflects the plurality and diversity of today’s curatorial approaches. Jaroslava Tomanová’s curatorial method is based on political solidarity and mutual care, modalities that are subversive toward dominant socioeconomic and colonial power structures. Jakub Gawkowski’s practice is based on reading art history through the lenses of the present, using exhibitions as a means of critically interrogating the functions of art institutions in modern society. And František Fekete exerts his artistic sensitivity and curates with an instinctive approach,” Stejskalová adds. The Biennale Matter of Art was founded in 2020 as a project of the nonprofit contemporary art initiative tranzit.cz, and its 2026 edition will be taking place in and outside of Prague, Czech Republic.
Jaroslava Tomanová is interested in exploring alternatives to dominant socioeconomic models and promoting practices that contribute to just, equal, and inclusive living in common. Tomanová supports artistic endeavors that nurture life and existence amid perpetual wars as well as those that promote resilience and collective organizing to challenge the violence of colonial domination and capitalist systems that determine whose lives are valued over others. At the core of her curatorial method is a strong sense of political allyship and a mutual commitment to building relationships grounded in trust, care, and kindness. Jakub Gawkowski’s work is rooted in making things possible—creating the conditions for ideas, practices, and experiences to unfold. He often works collaboratively—not only with artists but also with researchers, architects, and fellow curators—and uses exhibitions as a practical way to share knowledge, speak up, and test ideas. František Fekete’s curatorial approach is primarily based on intuition, aiming to create a space of mutual trust and open possibilities for artists, and his work is driven by a deep interest in the poetics of subjectivity. His research explores how images and visual situations can form, transform, or invent subjectivities as well as propose poetic strategies for critically examining social dynamics and individual development. Currently he is exploring topics such as queer spirituality, nonnormative masculinities, and situated corporeality.

František Fekete (*1993) is a curator and artist. He graduated from the Centre for Audiovisual Studies at FAMU in Prague in 2020. From 2015 to 2022 he was one of the curators of the artist-run Gallery 35M2. In addition, he has collaborated with institutions such as Artyčok.TV (2023), the Academy of Fine Arts in Prague (2019–2020), GAMU in Prague (2019), the Brno House of Arts (2017), and others. He regularly publishes texts on art and is the editor of several books. He is a member of the collective of the initiative for contemporary art tranzit.cz.

Jaroslava Tomanová (*1989) studied cultural policy at the University of Leeds and City University London. In 2013 she did an internship at Cubitt in London and was awarded the Ruth Crawford Mitchell Memorial Scholarship at the University of Pittsburgh. In 2020 she attended Public Studies at BAK in Utrecht. Among other roles, she worked as an assistant curator at documenta fifteen and Thyssen-Bornemisza Art Contemporary (TBA21) and as an editor at Sumac Space. In 2024 she was the KEX resident at Kunsthalle Exnergasse in Vienna. Her texts have been published in various media focusing on contemporary art and politics, such as Artalk, Azimuts, Corridor8, Freedom News, RUTH, and This Is Tomorrow. Since 2023 she has been living and working in Prague.

Jakub Gawkowski (*1993) is chief curator at the Muzeum Sztuki in Łódź and a PhD candidate at the Department of Historical Studies of the Central European University in Vienna. At the Muzeum Sztuki he has curated and cocurated exhibitions such as How the Museum Works (2025) and Erna Rosenstein, Aubrey Williams: The Earth Will Open Its Mouth (2022). His other curatorial projects include Records of Waiting: On Time and Ornament (with Monika Rosińska and Maciej Siuda, London Design Biennale, 2025) and Wacław Szpakowski: Riga Notebooks (with Inga Lāce and Daniel Muzyczuk, Latvian National Museum of Art, 2023). Together with Marysia Lewandowska he coedited a volume of Ewa Mikina’s critical writing entitled Słów brak: Teksty z lat 1991–2012. He was a fellow of the DAAD program TheMuseumsLab. His essays and interviews have been published on e-flux as well as in exhibition catalogs. He is a member of the program board of QueerMuzeum Warszawa.